Additional sources and materials
- Bahmann-Medik, D. “Kul’turnye povoroty. Novye orientiry v naukah o kul’ture” [Cultural Turns. New Guidelines in Cultural Sciences]. [https://kartaslov.ru/книги/Бахманн-Медик_Д_Культурные_повороты_Новые_ориентиры_в_науках_о_культуре/ 4, accessed on 01.05.2020] (In Russian).
- Borisov, E.V. “Pragmaticheskaja teorija znachenija u Vitgenshtejna i Hajdeggera” [Pragmatic Theory of Meaning at Wittgenstein and Heidegger], Tomsk State University Journal of Philosophy, Sociology and Political Science, 2009, no. 320, pp. 38‒44. (In Russian)
- Borreca, A. “Political Dramaturgy: A Dramaturg’s (Re)View”, The Drama Review, 1993, no. 4, pp. 56‒79.
- Butler, J. Gender Trouble: Feminism and the Subversion of Identity. London, New York: Routledge, 1990, 173 pp.
- Diamond, E. Performance and Cultural Politics. Hove: Psychology Press, 1996, 294 pp.
- Parker, A., Sedgwick, E.K. (eds.) Performativity and Performance (Essays from the English Institute). London, New York: Routledge, 1995, 240 p.
- Rodin, K.A. “Problema sledovanija pravilu i mesto Vitgenshtejna v sociologicheskih issledovanijah: vozvrashhenie k Piteru Uinchu” [The Problem of RuleFollowing and Wittgenstein’s Place in Sociology Studies: A Return to Peter Winch], Epistemology & Philosophy of Science, 2020, vol. 57, no. 3, pp. 23‒23. (In Russian).
- Rossi, L.-M. “Happy and Unhappy Performatives”, Australian Feminist Studies, 2011, vol. 26 (67), pp. 9‒23.
- Rusakova, O.F. “Kommunikativnye strategii performativnogo diskursa” [Communicative Strategies of performative Discourse], Diskurs-Pi. 2014, vol. 11, no. 1, pp. 12‒14. (In Russian)
- Wittgenstein, L. Filosofskie raboty. Chast’ I. [Philosophical Works, part 1]. Moscow: Izdatel’stvo “Gnozis” (In Russian)
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